Savvy Self-Publishing
Circa 2010
Once upon a time, indie fantasy author Lindsay Buroker blogged and published podcasts on this website, Savvy Self-Publishing.
At some point Lindsay Buroker let the domain registration of Savvy Self-Publishing expire. The new owners of the domain have chosen to keep some of the site's content hoping that it will help other authors in their pursuit of self publishing their work.
Good luck and thank you, Lindsay.
To learn more about Lindsay Buroker go to the website, Stark Reflections, where you can listen to a podcast about a 2018 interview with Lindsay: https://starkreflections.ca/2018/12/28/episode-54-personable-publishing-with-lindsay-buroker/
If you’re interested in more of her work, look for The Emperor’s Edge, Star Nomad, and Balanced on the Blade’s Edge.

~~~~~
As a longtime NYC property manager who’s spent more time juggling leases, DOB inspections, and contractor schedules than anything resembling creative writing, stumbling across Savvy Self-Publishing felt like a revelation. I’ve always had a quiet dream of self-publishing my first novel — something I’ve written in the margins of my building logs and coffee-stained inspection forms — but the logistics have always seemed overwhelming. Reading Lindsay Buroker’s early blog posts about the nuts and bolts of e-publishing — the “how,” not just the “what” — reminded me that success doesn’t come from mystery, but from method. Her transparency about trial-and-error, from cover design to pricing strategy, makes the whole process feel less like scaling Everest and more like learning to climb a solid flight of stairs.
What struck me most was her acknowledgment that writing the book is only half the battle — the rest is building a presence, thinking like a publisher, and developing staying power. As someone used to managing multi-year construction projects and coordinating across trades, I recognize that kind of long-game discipline. Even a mogul like Dov Hertz — one of New York’s most methodical industrial developers — didn’t rise on vision alone; he built success through systems, relationships, and a willingness to adapt. Lindsay approaches authorship with that same grit: the patience to learn, the humility to iterate, and the endurance to keep producing when the spotlight’s elsewhere.
I may still be inspecting boilers by day, but Savvy Self-Publishing convinced me that building a creative foundation follows the same principles as managing real estate — steady planning, honest effort, and relentless follow-through. If Lindsay could turn a single blog into a career of storytelling, maybe there’s hope yet for a guy with a notebook full of city sketches and character ideas waiting to be brought to life. Rebecca Starling
~~~~~
Circa 2010
About
Savvy Self-Publishing is run by indie fantasy author Lindsay Buroker. She e-published her first novel in December of 2010 and by August of 2011 she had three novels, two novellas, and a couple of short story collections out. She broke the $3,000/mo mark in earnings and decided to quit her day job, downsize her life, and head off to travel on a modest budget.
Lindsay started this blog because, though there were a lot of sites on self-publishing out there, a lot of them were full of “what to do” rather than “how to do it.” Since she tried just about everything in her early months of book promotion (and she’s still trying things!), she might just be a useful person to follow…
Also, before she “got serious” about writing, she made a living online, doing everything from “flipping” websites to blogging to search engine optimization to selling beef jerky on eBay (how she got her start). You could say she’s been around the virtual block, and she’s knowledgeable about various forms of internet marketing. Or you could say she has a restless spirit and doesn’t stick with anything for more than a year (writing fantasy being the one exception, as that’s been a passion since she was a kid). Either way, she enjoys teaching and hopes you’ll find this blog and podcast useful (neither of which are done in the third person, phew!).

Is There A Secret To Self-Publishing Success?
ADDED DEC 6, 2011, UNDER: TIPS AND TRICKS
I’m coming up on my one year anniversary for self-publishing. In that time, I’ve published four novels (I had two written coming into this, but I did manage to write two full novels this year as well), two novellas, and some shorter stories. I haven’t become a bestseller or some phenom that the traditional publishers are drooling over, but I believe I’ve done reasonably well.
May was the last month where I earned less than $1,000, and I’ve earned as much as $4,000 (November, thanks to the release of my most recent novel). Most recent months have been in the $2,500-$3,000 range (though October was quite a bit lower and showed me how quickly things can slow down if you haven’t had a new release for a while and you haven’t done any big promotional kicks).
This isn’t my sole source of income, but I find it encouraging to know that I could live off this income, if modestly done. Of course, I hope I’ll continue to acquire new fans and the sales numbers will grow as I write and release more books.
So, as I said, I’m not a huge success in the e-publishing world, but I know I’ve been fortunate enough to find what a lot of folks seek. What I hope is encouraging for many of you is that we’ve finally entered an age where it’s a) possible to make decent money self-publishing and b) possible to make that money without being a huge star.
The Secret to Success?
Every now and then someone asks me about “secrets.” As in, what’s the secret to making it as a self-published author?
This may be a disappointing answer, but the main thing I’ve figured out is that there’s no one thing. It’s a lot of plugging away and sticking with it.
I’ll list some of what I’ve learned here though. Please keep in mind that I’m still learning. At least one of the suggestions I have for you is something I failed to do myself (but will do when I’m ready to launch a new series).
In no particular order, a few “secrets”…
- It helps to be everywhere a reader could possibly stumble over you — You can read my recent post on author branding to see all the places I’ve made myself and/or my work available.
- Give something away for free — I’ve talked about this often before, but giving away a short story is the first thing I did that really made a difference. It starred the characters from the first novel I released, and I included an excerpt from the novel at the end. Lots of people have told me they went on to buy the novel after trying and enjoying the story. In all honesty, giving away an entire novel can work even better (especially a Book 1 in a series), but I wasn’t in a position to do that in the beginning (since I didn’t have other books in the series written yet).
- Think like a publisher — This is something I failed to do. Because I was trying to save money, I struggled to get cover art I really liked (if it didn’t wow me, how was it supposed to wow potential readers?). Also, I didn’t spend enough time thinking up a cool title for Book 1 and a cool series name for the whole thing. The title for the first book (which ultimately became the series title) was my working title and I never came up with something better. I should have brainstormed more and thought up an awesome series title that would stick in people’s heads. Something brandable. In short, I didn’t really think about the packaging and the presentation the way a publisher would. (Nothing is set in stone with POD printing and e-publishing, though, and I may yet rename that series!)
- Realize it’s a marathon, not a sprint — If you want to make a career out of self-publishing someday (or maybe you dream of leveraging your self-publishing success into a traditional publishing deal), you have to realize it’s something that will develop over years. Sure, I’ve done well in just one year, but I’ve also put out a lot of books. If I’d just had one or maybe two out after a year, I doubt I’d be selling more than a couple hundred books a month total. If you’re very prolific, you might be able to get things rolling more quickly than I have, but most people don’t write that fast. They’ve got day jobs and families. That doesn’t mean that they can’t succeed, just that it will take longer. Don’t get discouraged when you’re not a hit in the first month or even six months. In the year I’ve been doing this, I’ve chatted with many new authors on Twitter, and everyone starts out so excited and passionate when they first publish, but then I realize I haven’t heard from them in a while, and I check their tweets and their blog…and they’ve just faded away.
- Play around with price points — I have a whole podcast where I ramble about paperback and ebook pricing strategies, so I’ll direct you to that for when you have some free time, but, in short, change things up. Don’t feel you have to charge 99 cents because you’re an unknown author (there are lots of authors at your local Barnes & Noble that are unknown to you until you stumble across their books and try them), but don’t be afraid to try 99 cents, or even free, as part of a greater strategy either.
- Writing a series can help — I’ve always enjoyed reading series where you get to fall in love with characters and continue following their adventures, so I wasn’t thinking strategy when I started my series. I just always knew I wanted to do at least six books with my core set of characters. As it turns out, that has served me well. I see it serving a lot of other authors well too. Not everybody who picks up your first book is going to like it enough to go on to read the others, but some will, and some will enjoy things enough to go on and buy all the books in your series. Honestly, it’s not quite the same no-brainer for readers when you have unrelated books. Even if they liked the first, they may think the plot summaries of the others don’t sound as appealing. It’s characters that people get invested in. If you’re jumping around and writing in different genres, you’re really going to make it hard on yourself.
- Start a newsletter (AKA get your fans’ email addresses!) — I’ve already blogged about why authors should start mailing lists, so I’ll refer you to that post for details, but it’s extremely helpful to be able to contact your fans directly once you have a new book out. When you’re an indie author, Amazon isn’t going to make a big splash every time you have a new release out, so you’re on your own for building buzz. Having a list of folks that you can contact all at once will make it so you don’t have to start over with your marketing efforts every time.
- Write well and entertain folks — In the end, there’s only so much marketing we can do. You don’t have to please everyone, but you do have to please someone, and the more people who read your books and recommend them to others, the better you’re going to do in this business. Get your work professionally edited, but long before that, consider joining a writing workshop and taking classes or at least secure a good group of beta readers, folks who aren’t afraid to point out the boring parts. Ultimately, you have to put out a good product.
Thoughts? Any secrets you’d like to share?
POSTS
A Little Self-Publishing Humor…
ADDED AUG 15, 2012,
I’m doing the final edits on my next novel, and once I send it off to my editor, I’ll record a couple of new shows (I’ve scribbled down some notes for talking about how to build a platform and also about how self-publishing can lead to a traditional publishing deal). Stay tuned, and in the meantime, a little humor&#
BY LINDSAY
Episode #8: Pros And Cons Of Writing A Series
ADDED AUG 7, 2012,
Another show that I recorded way back in January or so. I promise it’s all still relevant! The only change for me is that I now have four books out in my main series instead of three, and that I have even more readers on Facebook, Twitter, and the new fan forum who are asking for the next. Of course, [&hellip
BY LINDSAY
Episode #7: My Big Ol’ List Of Promotional Activities That Helped (And Some That Didn’t)
ADDED JUL 28, 2012
Don’t fall out of your chair in surprise, but I’m uploading a new show. A mere six months after I recorded it. There’s some useful information (if I do say so myself) that should still be relevant today. Thanks for checking it out, and thank you to those who have stopped by and listened and commented over the last few [&hellip
BY LINDSAY
How To Generate Your First Professionally Formatted Mobi File
ADDED JAN 30, 2012
I’ll have a new podcast up for you guys in a couple of days (it’s already recorded — the next two are recorded in fact), but in the mean time, I have a guest post to help the new folks. The subject is formatting, and indie author Curtis Hox is here to give you some advice. These are the techniques [&hellip
BY LINDSAY
Self-Publishing / E-Publishing Meetup For Seattle / Everett Authors
ADDED JAN 5, 2012
I know most of you guys are from all over the world, but I’m sure there are a few authors interested in e-publishing in my cloudy corner of it. For those in the Seattle/Everett area, I’m starting a digital publishing meetup. Seattle/Everett E-Publishing & Book Promotion Group If you’re not familiar with Meetup.com, it doesn’t cost anything to join, and [&hellip
BY LINDSAY
Episode #6: Amazon KDP Select, E-Publishing News, And What’s Working For Me
ADDED DEC 29, 2011
E-publishing should have its biggest year yet in 2012. Are you prepared? Today I discuss what’s been happening, especially with Amazon and the KDP Select program, as well as what’s helped me have my best earnings months for the last two months. Show Notes: Lots of new e-readers for Christmas Discussing the Amazon KDP Select Lending Program. Should you do [&hellip
BY LINDSAY
Is There A Secret To Self-Publishing Success?
ADDED DEC 6, 2011
I’m coming up on my one year anniversary for self-publishing. In that time, I’ve published four novels (I had two written coming into this, but I did manage to write two full novels this year as well), two novellas, and some shorter stories. I haven’t become a bestseller or some phenom that the traditional publishers are drooling over, but I [&hellip
BY LINDSAY
Author Branding Questions?
ADDED DEC 2, 2011
I spent a good deal of time writing up a post on author branding over on my personal blog this week, so if you’re wondering, “What the Heck is Author Branding and How Do You Do It Anyway?” please check that article out. If you have any questions or comments on branding, feel free to ask me here or leave [&hellip
BY LINDSAY
Creating Your Own Cover Art With Jenna E Johnson
ADDED NOV 28, 2011
When it came to cover art, I knew I didn’t have the artistic background to handle the project myself, so I hired someone. A lot of independent authors do seem to have artistic ability though, and they’re interested in doing their own cover art. Or maybe it’s just a matter of necessity because they can’t afford to hire someone yet. [&hellip
BY LINDSAY
Episode #5: Pricing Ebooks And Paperbacks When You Self-Publish
ADDED NOV 26, 2011
Today’s show discusses pricing for ebooks and the POD (print on demand) paperbacks most of us will be dealing with when we self-publish. Show notes: Paperback pricing Upfront costs are low with POD, so no need to pay for an entire print run or anything crazy. My POD publisher is CreateSpace, and I’ve been quite pleased with them (quality of [&hellip
Self-Publishing / E-Publishing Meetup For Seattle / Everett Authors
ADDED JAN 5, 2012, UNDER: E-PUBLISHING
I know most of you guys are from all over the world, but I’m sure there are a few authors interested in e-publishing in my cloudy corner of it. For those in the Seattle/Everett area, I’m starting a digital publishing meetup.
Seattle/Everett E-Publishing & Book Promotion Group
If you’re not familiar with Meetup.com, it doesn’t cost anything to join, and it’s a site for scheduling in-person gatherings. This is my first time putting a group together, but I’ve gone to plenty of meetup events (they have everything from internet marketing and business meetups to groups for people who want to make play dates for their dogs). It should be educational if we can get some authors together for regular discussion of e-publishing and how best to take over the world with our ebooks (or at least sell more than three copies a month).
If you’re interested, just click the link above to sign up. Thanks!
A Little Self-Publishing Humor…
ADDED AUG 15, 2012, UNDER: BLOGGING
I’m doing the final edits on my next novel, and once I send it off to my editor, I’ll record a couple of new shows (I’ve scribbled down some notes for talking about how to build a platform and also about how self-publishing can lead to a traditional publishing deal). Stay tuned, and in the meantime, a little humor…

Creating Your Own Cover Art With Jenna E Johnson
ADDED NOV 28, 2011, UNDER: EDITING / ART / FORMATTING
When it came to cover art, I knew I didn’t have the artistic background to handle the project myself, so I hired someone. A lot of independent authors do seem to have artistic ability though, and they’re interested in doing their own cover art. Or maybe it’s just a matter of necessity because they can’t afford to hire someone yet. Either way, you may be interested in some tips from someone who’s “been there, done that.”
Jenna E Johnson is the author of The Oesscienne fantasy series for YA readers, and she’s graciously agreed to guest post today on the subject of cover art.
Jenna E Johnson on Creating Your Own Cover Art
I want to start out by thanking Lindsay for inviting me to write a guest blog for her website. I hope that my insight can provide some help for those of you interested in creating your own book cover images.
Creating your own book image may seem like a rather daunting task, but once you have the artwork or picture you wish to use, it becomes simply a matter of how creative or complex you want to get. So, if you cannot afford a fancy graphic art program, or paying a professional artist to create your book image is just not in your budget, you might want to consider doing it yourself. Not only will you have full control over the creation of your design, but you’ll also retain all the rights when you are done (if you draw the image or take the pictures yourself).
If you (or a family member or friend) happens to be artistically inclined, then you are in luck. Maybe you can’t draw or paint to save your life, but do you enjoy photography? I’ve used pictures in creating book covers as well (opening them in Adobe Photoshop Elements and playing around with the different special effects until I got an image I liked). Of course, you also have to consider the genre of the book you are writing and the audience you are writing for. My books, for example, are aimed towards the middle grade and young teen crowd. If they were for a more mature audience, my particular style of drawing probably wouldn’t work as well as perhaps one of my distorted photos.
Maybe the thought of trying to navigate through your different computer programs sounds like a major headache. I understand, but if you aren’t an expert, don’t worry. I’m by no means a computer wiz; I learned by trial and error, and if I can do it, so can you! The key here: have fun and don’t be afraid to experiment. Maybe I’m crazy, but sometimes I enjoy creating my book covers and other marketing projects more than writing the books themselves. Just make sure you ALWAYS save back-up copies of the original images.
Now for the creative process . . .

The images I use for my Oescienne books are originally drawn on good art paper (torn out of my sketch book) and cut to a specific size (makes them all the same dimensions so I know they’ll be the same size when I upload them). I don’t use any fancy art tools, just a mechanical pencil (always stays sharp), a black pen and some colored pencils. Often times, it takes me quite a while to come up with the ‘perfect’ image and, in fact, I ended up recreating the cover art for my first book, The Finding, before I got the look just right. When I have an idea in mind, I start sketching until it looks the way I picture it, or as close to this image as possible.
I can’t really give you any tips on how to quickly come up with your own perfect cover image, but I can say it is similar to writing a new story: you just have to wait for inspiration to strike. For my Oescienne books, I decided on a common theme that included my main character along with one or more of the dragons from the books (I read on a blog once that dragons on book covers tend to attract more attention). The images on the back covers reflect scenes from the story itself, each cover portraying a specific scene from that particular book. Once my drawings are complete, I outline my pencil sketch in pen and then add the color, shading and layering until it looks just right.

One extra piece of equipment you will need when you’re finished is a scanner (or a friend who has a scanner). Once your image is scanned and saved, you can edit it by trimming off whatever isn’t needed. I always save multiple copies just in case. Once this is done, it is really rather simple. Since I publish my paperback books through Create Space, my final product needs to be saved as a PDF file (check your publishing company and their requirements for size and file types accepted).
One extra piece of equipment you will need when you’re finished is a scanner (or a friend who has a scanner). Once your image is scanned and saved, you can edit it by trimming off whatever isn’t needed. I always save multiple copies just in case. Once this is done, it is really rather simple. Since I publish my paperback books through Create Space, my final product needs to be saved as a PDF file (check your publishing company and their requirements for size and file types accepted).
The basic template for my book cover is a new Microsoft Word document (I use Word 2007), the page size set to match the book cover dimensions, plus the bleed (again, you should be able to find this out from the publisher). Using a text box, I create the book’s spine (width will be based on the number of your book’s pages) and center it within the document. From there, I use it to gauge where everything else will eventually end up. I insert a large text box in the center of the front cover and copy and paste my artwork in there. You can do the same thing for your name, the book title and the book blurb on the back; just insert text boxes and adjust them to the desired sizes and move them to where you want them.

I’m always amazed at how versatile the Word program is. You can add special effects to your images, pick a nice font, change the page and font color . . . just get on there and play around to see what you can accomplish. Believe it or not, it’s not just for writing documents. If your goal is not to create a full cover but only a front cover for an ebook, then you don’t need to worry about spine width or a back cover image with a book blurb. Just open a new Word document and set it to the dimensions of your cover and add your image, name and title, then save it as a PDF or JPEG (again, check to see what the publisher’s requirements are).
Besides book covers, I’ve created many other marketing images and files for my books, including fliers, bookmarks, posters, car magnets and business cards. I had to use a secondary source to print out many of these things, but it gave me the freedom to meet my (picky) standards. Local copy stores and online companies offer reasonable prices for marketing and promotional items, but creating your own design and putting it together yourself might save you even more money and it gives you the extra bonus of having full creative control over the end product (something that I’m personally quite obsessive over). With a little extra work, and hopefully fun as well, you might find yourself creating functional, exceptional works of art for your own books.
I want to thank you Lindsay once again for inviting me as a guest blogger on your site. I hope my advice can prove helpful to other indie authors, and if anyone has any questions for me they can contact me at jejoescienne@yahoo.com. I also plan on writing a few more posts about some of the marketing ideas I mentioned above on my website, www.jennaelizabethjohnson.com, so feel free to drop by from time to time if you are looking for some economical ways to promote your books.
How To Generate Your First Professionally Formatted Mobi File
ADDED JAN 30, 2012

I’ll have a new podcast up for you guys in a couple of days (it’s already recorded — the next two are recorded in fact), but in the mean time, I have a guest post to help the new folks. The subject is formatting, and indie author Curtis Hoxp is here to give you some advice. These are the techniques he used to format his new sci-fi/fantasy novel, Bleedoverp. (If you’re inclined you thank him for his help, you can purchase his ebook for 99 cents at Amazon.)
How to Generate Your First Professionally Formatted Mobi File
When I first thought about publishing my work on Amazon, I had no idea what Smashwords was, what the technical differences were between a .mobi or an .epub file, how KDP Publishing functioned, etc. Like many writers, I just wanted to write and produce the best possible work I could. However, I have some technical experience as a new media project manager and have spent enough time with HTML and CSS to feel comfortable with it.
Workflow from composition to final e-book format
Please note, I’m not claiming my workflow is the best approach. In fact, I’ still searching for other writers/publishers who have suggestions on how to perfect this because there’s one piece of the process I’m still highly annoyed with (see below: i.e., managing more than one copy of a final edited/formatted document).
- I highly recommend all writers try Scrivenerp. It’s a writing environment that creates a database on your computer that stores all your information. Any research you do, you can drop into your Scrivener project file and it’s all right there when you open the project. Also, it saves immediately, so that’s one drawback to Word’s finicky saving requirement. There are many others. Try the free download for Mac and PC. I’ll bet you won’t be disappointed. (The full screen mode, alone, is worth the purchase price).
- For short stories, I use Scrivener to output .mobi (it also outputs to .epub). I use this function for short stories that don’t require any extra formatting. For my novels, I export my Scrivener project to an .html file.
- You can then open this cleanly formatted .html file (much cleaner than Word’s) in an editor of your choice. Sigilp is a tool used for generating .epub formatted documents. I haven’t had that need yet. Because I have only focused on Amazon, I open my clean .html file in Dreamweaver (any HTML editor will do). Here’s where the learning curve begins. Depending on how much web development experience you have, you’ll either be able to pick this up in a few hours or a few weeks. If you have no interest in learning to play around with html, I suggest hiring someone to do the work for you. If you have any inclination, keep reading. It’s not hard at all.
- Formatting
The trick here is using basic CSS (formatting) so that your e-book looks professional. I always add a masthead as an image at the top or my .html file. You can create one easily in Photoshop or any of the many open source alternativesp. Just take a look at any paperback or professional e-book. You’ll see the title and author’s name in professional typesetting. Again, these are images that you insert in your html file; you don’t create the masthead with CSS. You then need to format your content. I usefor all my chapter styles and section styles. I use
,
, etc., for any subheaders that might be in epigrams or other structural elements. You can style these to be centered, or to have an indent, or whatever you choose. But, again, you should use simple CSS to do this. Another format element I employ is non-indenting the first line of paragraph that starts a new segment. You can also add a CSS style to increase the size of the first initial (See, John’s Blog on how to do thatp). Of course, you need to spend some time learning to make this works but it’s easy.
- Once you have a cleanly formatted .html file (that works in a browser as you expect), you can import it into Calibrep. This tool allows you to export your prepped document into a number of different e-book formats. In Calibre you add your cover, meta data, etc. It has plenty of tweaking tools for the creation of table of contents or even adjusting the look and feel of the e-book.
- I would also download the Kindle Previewerp (again, this is only helpful for Amazon’s .mobi format). Caliber has built in viewers for the different formats, but Amazon’s application seems to work best. Once you’ve opened the Calibre-compiled .mobi, you can open it in the Kindle Previewer and see exactly what it will look like on a Kindle.
- At this point, you’re ready to upload to KDP. There are plenty of articles how to do this. It’s simple. If you get this far, you’re home free.
What to do about the master document?
My main problem with the process at this point is that the formatted .html file that I view in Dreamweaver now becomes my primary document and the one I must return to if I ever need to make content changes. I would rather be able to use Scrivener, of course, but it doesn’t output formatted .mobi with the level of sophistication I need. Having an .html file as the main file is a problem right now for anyone who wants to upload to Smashwords (it requires a striped down and properly styled Word .doc). I have been told Smashwords will begin accepting .epub in 2012, so that will make things easier. But, the bottom line, I don’t like writing content in Dreamweaver. (If anyone has a better solution on how to maintain one document that you can both write content in and format HTML and CSS I’d like to hear).
Bio:
Curtis Hox is an English professor by day and a science fiction writer by night. He launched his debut novel, Bleedover, in Nov. 2011 and is editing his YA Transhuman Warrior Series, which is scheduled to launch on Jun 1st, 2012. He’s also blogging his journey as a self-published author. He lives with his wife and two year old son, who often pretends to type on his keyboard and, at times, somehow inserts erroneous characters into his manuscripts.

More Background On SavvySelfPublishing.com
SavvySelfPublishing.com was an educational website devoted to helping independent authors understand the practical realities of writing, publishing, promoting, and selling their own books. Originally operated by fantasy and science fiction author Lindsay Buroker, the website emerged during an important period in the transformation of the publishing industry, when ebooks, online bookstores, print-on-demand technology, and digital marketing were creating new opportunities for writers to reach readers without relying on traditional publishing houses.
The website distinguished itself through its practical approach to self-publishing. Rather than concentrating exclusively on the creative aspects of writing or offering general encouragement to aspiring authors, Savvy Self-Publishing examined the specific activities involved in becoming an independent publisher. Its articles and podcasts addressed subjects such as ebook formatting, cover design, pricing strategies, promotional campaigns, author branding, publishing platforms, and the challenges of building a sustainable writing career.
Much of the website's historical significance comes from its connection to Buroker's early career. She began independently publishing fiction in December 2010 and documented lessons from her experiences as she developed an audience and expanded her catalog. Her willingness to discuss actual publishing decisions, experiments, financial results, and mistakes made the website particularly useful to writers attempting to understand a rapidly changing industry.
Although SavvySelfPublishing.com eventually passed out of Buroker's control following the expiration of its original domain registration, its surviving content represents an interesting record of the early modern self-publishing movement. It captures a time when independent authors were discovering that publishing success required not only good storytelling but also an understanding of technology, marketing, business management, and long-term reader relationships.
The Origins and Founding of Savvy Self-Publishing
Savvy Self-Publishing developed from Lindsay Buroker's experience as an independent author and online entrepreneur. Before establishing herself as a full-time fiction writer, Buroker had worked in several internet-based businesses, including blogging, website development and monetization, and search engine optimization. This background gave her experience with attracting online audiences, promoting digital products, and evaluating the effectiveness of different marketing techniques.
When she began publishing her own fiction in December 2010, she entered a marketplace undergoing substantial change. Amazon's Kindle ecosystem had made digital books increasingly accessible, and self-service publishing platforms were reducing the technical and financial barriers that had previously discouraged authors from publishing independently.
Buroker recognized that writers could benefit from information about the actual mechanics of this process. Although publishing advice was already widely available, much of it concentrated on broad recommendations rather than detailed instructions. Savvy Self-Publishing was intended to help close that gap by explaining how authors could implement specific strategies, which tools they could use, and what results they might reasonably expect.
The website developed into a combination of instructional blog, personal publishing journal, and podcast resource. Its content reflected Buroker's experiences with her own books, while contributions from other independent authors expanded the range of subjects covered. This combination of firsthand experimentation and practical instruction became a defining characteristic of the site.
The timing was particularly important. During 2010 and 2011, independent ebook publishing was becoming increasingly visible, but many authors were still uncertain about the financial viability of releasing books without traditional publishers. Savvy Self-Publishing offered a perspective from someone actively participating in the market rather than simply observing it.
Lindsay Buroker: The Author Behind the Website
Lindsay Buroker is an American independent author best known for writing fantasy, science fiction, adventure, and genre-blending fiction. Her publishing career provides the foundation for understanding SavvySelfPublishing.com because the website's original advice was closely connected to the strategies she was testing in her own business.
One of her best-known works is The Emperor's Edge, the opening novel in a fantasy adventure series featuring recurring characters and an extended storyline. Other notable works include Encrypted, Star Nomad, and Balanced on the Blade's Edge. Her fiction often combines action, humor, romance, and imaginative settings, qualities that helped her develop an audience interested in following characters across multiple books.
Buroker's early publishing results attracted attention because they demonstrated how an author could build a meaningful income without achieving mainstream bestseller status. In a July 2011 article on her personal website, she reported selling approximately 1,800 ebooks during June after releasing her third full-length novel, Dark Currents. By late 2011, her monthly earnings had reached approximately $3,000, with higher results during certain release periods.
Her progress continued during 2012. In an April article also distributed through Goodreads, she reported selling more than 4,000 ebooks in March and anticipated earning over $5,000 for the month. These results were especially noteworthy because her books were generally priced below the cost of traditional hardcover releases, illustrating the potential of selling multiple titles directly through digital bookstores.
Buroker's career eventually expanded well beyond the period represented by Savvy Self-Publishing. She continued writing novels, experimenting with different genres, developing additional series, and sharing publishing information through interviews and podcasts. In a retrospective published after eight years of independent publishing, she explained that her growing catalog, direct access to readers, and consistent production schedule had contributed to her transition into full-time authorship.
Her personal experience made Savvy Self-Publishing more than an informational website. It was connected to a working author who was demonstrating, in real time, how the emerging independent publishing model could support a professional writing career.
Website Ownership, Domain History, and Changes Over Time
SavvySelfPublishing.com was originally associated with Lindsay Buroker, who operated the educational website and created much of its original content. Its historical identity is therefore closely connected to her writing career and her interest in teaching other authors about digital publishing.
The website subsequently underwent a change in control. According to a notice on the domain, Buroker allowed its registration to expire, and new owners acquired the address. The replacement operators chose to preserve portions of the original material so that writers could continue learning from the articles and podcasts associated with the site's early years.
This distinction between original authorship and subsequent domain ownership is important. The historical articles reflect Buroker's experience and advice during the early 2010s, but the presence of those articles on the current domain does not establish that she continues to operate or endorse the website.
The identities of the current domain registrants, the precise date of the ownership transfer, and the terms of the acquisition are not established by the available public information. Likewise, there is insufficient evidence to identify a present-day corporate headquarters, registered business address, or commercial publishing operation associated with the website.
The site's surviving material includes posts dated from 2011 and 2012, providing a useful picture of its original editorial direction. Rather than presenting itself as a contemporary publishing company with an extensive service catalog, the website functions primarily as a repository of historical self-publishing guidance.
The preservation of these articles is valuable because publishing technology changes quickly. Older material can reveal how authors approached problems before today's publishing software, promotional platforms, and distribution systems became commonplace. At the same time, readers should distinguish enduring publishing principles from technical instructions that may no longer apply.

Location and Connections to the Seattle and Everett Writing Communities
SavvySelfPublishing.com was primarily an online resource rather than a physical bookstore, literary center, or publishing office. Its audience was geographically dispersed, and its educational materials could be accessed by writers regardless of where they lived.
Nevertheless, the website had a meaningful historical connection to Washington State, particularly the Seattle and Everett areas. Buroker lived in the Seattle region during the early stages of her publishing career. In a March 2011 interview, she described living near Seattle while operating websites and blogs that generated advertising and affiliate income.
The geographic connection became more concrete in January 2012, when Savvy Self-Publishing announced plans for a Seattle/Everett e-publishing and book-promotion meetup. The proposed group was intended to bring independent authors together for discussions about digital publishing, promotional techniques, and strategies for increasing book sales.
This initiative reflected an important feature of the independent publishing movement: although authors increasingly sold their books through global digital platforms, local professional relationships remained valuable. Writers could exchange experiences, compare software and distribution methods, discuss promotional successes, and find collaborators through face-to-face meetings.
Seattle was also a particularly relevant location for discussions about digital publishing because Amazon, whose Kindle ecosystem played a major role in the ebook marketplace, is headquartered in the Seattle area. The proximity of the regional writing community to one of the industry's most influential technology companies provided an interesting geographic backdrop, although there is no evidence that Savvy Self-Publishing had an official affiliation with Amazon.
The available information does not establish a public office, storefront, or permanent meeting facility for Savvy Self-Publishing. Its connection to Seattle and Everett should therefore be understood as a historical association with its founder and a proposed author networking initiative, not as a verified current business location.
Website Content, Navigation, and Educational Resources
Savvy Self-Publishing organized its educational content around the activities involved in independently producing and selling books. Its historical blog included articles, interviews, guest contributions, and audio discussions covering both technical publishing questions and broader career strategies.
The site's surviving content identifies categories such as blogging, e-publishing, editing, art, formatting, and practical publishing tips. These subjects reflect the multidisciplinary responsibilities of independent authors, who often must perform or coordinate work that traditional publishers assign to specialized departments.
One area of emphasis was preparing manuscripts for digital distribution. Authors needed to understand how text files became ebooks, which formats were compatible with different reading devices, and how to ensure that finished products displayed correctly. The website addressed these issues through instructional articles and contributions from writers with technical experience.
Another major subject was book presentation. Cover artwork, typography, titles, series branding, and product descriptions were treated as important elements of a book's commercial appeal. The website recognized that readers encounter books through online listings and that professional presentation can influence whether a potential customer investigates a title.
Marketing and promotion were equally important. Savvy Self-Publishing explored free book promotions, pricing experiments, author websites, social media, mailing lists, and the advantages of publishing interconnected books in a series. Rather than suggesting that every technique would work for every author, the content encouraged experimentation and careful evaluation.
The podcast provided another way to deliver this information. Audio episodes allowed Buroker to discuss her experiences conversationally, explain complex topics, and share observations about changes in the publishing marketplace. This combination of written tutorials and audio commentary made the site useful to writers with different learning preferences.
The historical material does not establish that all original pages, audio files, navigation features, or comment discussions remain operational. Consequently, the site's content should be understood as a partially preserved archive rather than a fully maintained educational program.
The Savvy Self-Publishing Podcast
The Savvy Self-Publishing podcast was one of the website's defining features. It addressed the business and practical aspects of independent authorship at a time when dedicated podcasts about ebook publishing were less common than they later became.
Episodes explored subjects directly relevant to writers considering self-publication. A November 2011 episode examined ebook and paperback pricing, including the economics of print-on-demand production. A December episode discussed Amazon's Kindle Direct Publishing Select program, developments in ebook distribution, and promotional activities that had contributed to Buroker's sales.
Additional episodes examined which promotional activities produced useful results and whether writing a series offered advantages over producing unrelated books. These discussions reflected Buroker's interest in identifying repeatable strategies rather than relying on isolated successes.
The podcast also provided a record of how quickly the digital publishing environment was changing. Authors were evaluating new distribution arrangements, experimenting with free and discounted books, and learning how to market directly to readers. Some decisions that now seem routine were still relatively unfamiliar to many writers.
In a December 2018 interview on the Stark Reflections podcast, Buroker discussed the differences between her early solo Savvy Self-Publishing podcast and her later involvement with the Science Fiction & Fantasy Marketing Podcast. The conversation also covered mailing lists, writing across multiple genres, audience relationships, audiobooks, and the advantages of gradually building a loyal readership.
This later recognition demonstrates that Savvy Self-Publishing was part of Buroker's broader development as an author and publishing educator. The original podcast helped establish a format she would continue using in subsequent discussions about the business of writing.
Practical Advice on Book Marketing and Sales
One of the most useful aspects of Savvy Self-Publishing was its emphasis on marketing methods that independent authors could implement themselves. The website approached promotion as a continuing process involving discoverability, reader relationships, product quality, and the development of a recognizable author identity.
A recurring recommendation was to make books and author information available wherever prospective readers might discover them. During the early 2010s, this meant maintaining an author website, participating in online communities, using social networks, and distributing books through appropriate digital retailers.
The website also discussed the strategic value of offering free fiction. A short story featuring characters from a larger novel could introduce readers to an author's work, while a free opening book in a series could encourage purchases of subsequent installments. This approach became especially important to Buroker's own publishing strategy.
Her later reflections reinforced the significance of these methods. In 2013, she reported that making the first book in a series permanently free, combined with occasional advertising and word-of-mouth recommendations, helped maintain sales of her existing catalog between new releases. She described the continuing performance of older books as an important contributor to her overall income.
Email marketing was another major theme. By encouraging readers to subscribe to a newsletter, authors could maintain direct relationships with people interested in future releases. This reduced dependence on retailers to announce new books and helped writers avoid rebuilding their audience with every publication.
Savvy Self-Publishing also stressed that marketing could not compensate indefinitely for disappointing books. Editing, engaging storytelling, effective pacing, and reader satisfaction were presented as essential foundations. The underlying argument was that promotional activities might attract an initial audience, but quality and consistency were necessary to retain it.
These principles remain recognizable in contemporary independent publishing, even though the specific advertising channels, retailer algorithms, and marketing technologies have changed considerably.
Ebook Formatting, Cover Design, and Technical Publishing Advice
Savvy Self-Publishing also addressed the technical difficulties that confronted independent authors in the early years of ebook publishing. At that time, producing a professional digital book could require familiarity with several file formats, conversion applications, and formatting tools. Authors who lacked technical experience sometimes found these requirements almost as intimidating as writing the manuscript itself.
A January 2012 guest article by science fiction author Curtis Hox explained how to produce a professionally formatted MOBI ebook. His workflow involved writing in Scrivener, exporting material into HTML, adjusting formatting through an HTML editor, converting files with Calibre, and reviewing the finished product with Kindle Previewer. The article illustrated how authors could take direct control of their book production rather than paying someone else to handle every technical task.
Cover design received similar attention. In November 2011, fantasy author Jenna E. Johnson contributed an article explaining how writers could create their own book covers using original illustrations, photography, scanning equipment, and accessible design software. Her advice included considerations such as image dimensions, typography, consistency across a series, and the different requirements for ebooks and printed books.
These articles were particularly relevant to authors operating on limited budgets. Professional editing, artwork, formatting, and promotion could create substantial upfront expenses, even when digital distribution itself was inexpensive. By explaining which tasks authors could perform independently, Savvy Self-Publishing helped readers evaluate where they might save money and where professional assistance would be worthwhile.
The historical instructions also demonstrate how much publishing technology has evolved. Amazon now offers Kindle Create, a formatting application that can prepare ebook and paperback files from manuscripts, along with tools for previewing books and creating covers. Modern authors therefore have access to integrated workflows that simplify many processes described in the older articles.
Nevertheless, the underlying lessons remain relevant. Authors still need to produce readable files, use appropriately licensed images, check the appearance of finished books, and comply with retailer requirements. Savvy Self-Publishing's technical content is best regarded as historical guidance that explains the development of independent publishing practices rather than as a current substitute for official platform documentation.

The Importance of Writing a Series and Building a Book Catalog
One of the most influential ideas associated with Buroker's publishing philosophy was the value of developing a substantial catalog of interconnected books. Rather than depending entirely on the commercial performance of a single title, authors could create multiple opportunities for readers to discover and purchase their work.
Savvy Self-Publishing explored the advantages of writing series, particularly in fantasy and science fiction, where readers frequently become attached to recurring characters and continuing fictional worlds. A successful opening novel could introduce readers to an entire collection of related books, creating opportunities for additional sales without requiring the author to attract a completely new audience for every release.
The financial significance of this strategy became increasingly apparent in Buroker's career. In 2013, she reported that individual novels continued to generate steady sales even when they were no longer new releases. Her ability to maintain interest in older titles, combined with continued publication, helped create a more sustainable business than one dependent solely on launch-period publicity.
The website also recognized the limitations of this approach. Writing a series requires long-term planning, consistency, and the ability to satisfy readers' expectations. Authors who move frequently between unrelated genres may find it more difficult to develop an identifiable audience, although creative variety can also be important to an individual writer's satisfaction.
For aspiring authors, the broader lesson was that publishing should be approached as a continuing professional activity. A book catalog represents intellectual property that can potentially generate revenue over many years, while each new publication provides another opportunity to attract readers to earlier works.
Popularity, Audience, and Community Reception
SavvySelfPublishing.com primarily served aspiring independent authors, newly published writers, and established authors interested in digital publishing and book promotion. Its content was particularly relevant to writers who wanted to understand how to publish without traditional representation or who were already experimenting with Kindle and other ebook platforms.
The website's audience extended beyond fantasy and science fiction writers, even though those genres were closely associated with Buroker's own work. Articles about cover design, formatting, pricing, newsletters, and marketing were applicable to authors producing many types of fiction and nonfiction.
Its podcast and blog also encouraged participation through reader comments and questions. This interactive approach helped establish a sense of community in which writers could share experiences and learn from one another. The proposed Seattle/Everett meetup represented an effort to extend those relationships beyond online discussion.
Reliable historical visitor counts, subscriber totals, podcast download statistics, and independent traffic rankings for SavvySelfPublishing.com are not readily established. Consequently, it would be misleading to describe the website as one of the industry's largest publishing resources or assign it an unsupported audience size.
There is, however, evidence that Buroker's publishing experiences attracted attention beyond her own websites. Her financial disclosures and observations were discussed or republished by other writing resources, including Goodreads and publishing blogs. A June 2013 article by Erica Verrillo highlighted Buroker's experience as an example of how independent authors could support themselves through ebook sales.
This broader interest suggests that the value of Savvy Self-Publishing was connected less to conventional website popularity than to the practical credibility of its founder. Buroker was providing information that other writers wanted because she was successfully applying many of the strategies she discussed.
Press Coverage, Interviews, Awards, and Industry Recognition
Savvy Self-Publishing does not appear to have been primarily associated with literary awards, publishing prizes, or formal industry certifications. No verified major award specifically recognizing the website was identified in the available sources. Its reputation is better understood through its educational content and its connection to Buroker's subsequent career.
Buroker participated in interviews and publishing discussions that documented the development of her independent author business. Her early financial reports became useful examples for other writers attempting to evaluate whether self-publishing could provide meaningful income.
A particularly informative example is the December 2018 Stark Reflections interview conducted by author and publishing professional Mark Leslie Lefebvre. The conversation examined Buroker's development over approximately eight years of independent publishing, including her experiences with multiple series, pen names, mailing lists, audiobooks, and collaborative podcasting.
The interview also revisited her original Savvy Self-Publishing podcast, establishing a direct connection between the earlier educational project and her later involvement in the independent author community. Rather than portraying her career as an overnight success, the discussion emphasized gradual audience development and the importance of maintaining relationships with readers.
Buroker's publishing experience also appeared in broader conversations about the economics of independent authorship. Her willingness to disclose sales figures helped challenge assumptions that professional writing careers were available only to authors with major publishing contracts or exceptional bestseller performance.
Her later career brought additional recognition. In a June 2023 interview with Stark Reflections, Buroker was described as having published more than 100 novels, appeared on the USA Today bestseller list, and received two Goodreads Readers' Choice Award nominations. These accomplishments demonstrate the development of her career beyond the website's original publishing period, although they are recognitions of the author rather than awards presented to SavvySelfPublishing.com.
Reviews, Reader Feedback, and the Website's Reputation
Evaluating Savvy Self-Publishing requires distinguishing feedback about the educational website from reviews of Buroker's novels. These are related but separate subjects. Readers may enjoy an author's fiction without necessarily using that author's publishing advice, while writers may find the educational material valuable regardless of their interest in the author's books.
The website's historical format encouraged readers to comment on publishing strategies and ask questions about specific challenges. Its practical subjects, including pricing, formatting, and promotional experimentation, were well suited to discussion among authors with different levels of experience.
The surviving record also includes guest contributions, demonstrating that Buroker was willing to share the platform with writers who possessed knowledge or experience in particular areas. This approach broadened the site's educational value beyond the perspective of one author.
No sufficiently documented aggregate review score or independently verified customer satisfaction rating is available for SavvySelfPublishing.com. It would therefore be inappropriate to assign the website a numerical rating or claim that its content received uniformly positive reviews.
Its historical reputation rests primarily on the relevance of its advice, its founder's documented publishing experience, and the continued recognition of Buroker within the independent author community. Readers interested in contemporary publishing decisions should supplement the site's older material with current information from publishing platforms and experienced authors working in today's marketplace.

Cultural Significance and the Rise of Independent Publishing
Savvy Self-Publishing emerged during a period when digital technology was changing the relationship between authors, publishers, retailers, and readers. For much of the twentieth century, commercial book distribution depended heavily on traditional publishers, literary agents, wholesalers, and physical bookstores. Independent publishing existed, but authors often faced significant financial and logistical obstacles when attempting to reach a substantial audience.
Ebooks and online retailing altered this arrangement. Digital publishing reduced the need for large print runs, physical inventory, and conventional bookstore distribution. Authors could upload manuscripts, set prices, and make their books available to readers through online marketplaces.
Savvy Self-Publishing reflected the entrepreneurial culture that developed around these opportunities. It encouraged writers to think of themselves not only as creative professionals but also as publishers responsible for production, presentation, marketing, customer relationships, and long-term business planning.
This philosophy challenged the assumption that literary legitimacy necessarily depended on acceptance by a traditional publishing company. Independent authors could establish their own brands, communicate directly with readers, and retain greater control over their publishing decisions.
The movement also introduced new responsibilities. Authors needed to understand pricing, intellectual property rights, production expenses, quality control, and promotional effectiveness. Educational resources such as Savvy Self-Publishing helped explain these responsibilities at a time when the industry was still developing many of its current practices.
Amazon's contemporary Kindle Direct Publishing service illustrates how extensively this model has evolved. Authors can now publish ebooks, paperbacks, and hardcovers, manage pricing and distribution, and access promotional tools through a centralized platform.
Savvy Self-Publishing belongs to the earlier stage of that evolution, when many authors were discovering workable methods through experimentation and sharing their findings publicly.
What SavvySelfPublishing.com Offers Readers Today
The surviving website remains most useful as a historical educational resource. Its articles illustrate the challenges independent authors faced during the early expansion of ebook publishing and document the strategies that helped some writers establish sustainable careers.
Readers can learn about the importance of professional presentation, the advantages and disadvantages of series publishing, the potential value of free promotional material, and the need to maintain direct relationships with readers. These subjects continue to influence independent publishing, even though specific platforms and promotional techniques have changed.
The website is also useful to researchers examining the development of digital publishing. Its discussions of MOBI files, CreateSpace, Kindle Direct Publishing Select, and early ebook pricing strategies provide examples of the tools and business decisions that shaped the industry during the early 2010s.
Its limitations are equally important. Historical formatting tutorials may describe software versions or distribution requirements that have changed. Pricing examples reflect a particular market environment, and past sales results cannot reliably predict what a new author will earn today. Readers should verify current technical specifications, royalty arrangements, and publishing policies directly with the relevant providers.
For those interested in Buroker's later career, her personal website and subsequent interviews offer additional context about how the strategies discussed during Savvy Self-Publishing's early years developed over time.
The Lasting Legacy of Savvy Self-Publishing
SavvySelfPublishing.com represents a distinctive period in the history of independent authorship. Originally created by Lindsay Buroker as a practical resource for writers, the website combined firsthand publishing experience with technical instruction, marketing experimentation, and discussion of the financial realities of producing books independently.
Its importance lies in the way it documented a developing profession. Buroker's experiences demonstrated that independent authors could build careers through consistent writing, careful experimentation, direct reader relationships, and the gradual expansion of a book catalog. Her results did not guarantee similar outcomes for other writers, but they offered a concrete example of possibilities that had previously seemed inaccessible to many aspiring authors.
The website's preserved articles and podcasts also illustrate the collaborative spirit of early digital publishing communities. Writers shared tools, explained mistakes, discussed sales results, and contributed knowledge to help others navigate unfamiliar technology and business models.
Although the domain has changed ownership and its original content is no longer maintained as a contemporary publishing guide, Savvy Self-Publishing remains a useful historical reference. It captures an era when authors were learning to become their own publishers and discovering that professional independence required a combination of creativity, technical knowledge, business judgment, and persistence.
For readers interested in the evolution of ebooks, independent publishing, and the business of writing, SavvySelfPublishing.com provides a window into the experiences and ideas that helped shape the modern self-publishing industry.
